![]() Pre-production is also the time to make sure the production team has all the necessary paperwork. It’s important to have people who know how to tell jokes, too,” says cinematographer Whit Ingram. “A good attitude is so important because you can get really cranky 10 hours in at 3am. ![]() You’re likely to end up spending some very long days with them. If the film requires visual effects, bring motion graphics specialists in early to advise you on how best to shoot those scenes.Īs you select your team and audition actors, try to hire people who seem like they’ll be easy to work with. For indie projects with small budgets, people can play multiple roles, but every project needs a film director, director of photography, casting director, costume designer, set designer, lighting designer, and sound designers. The size of the crew depends on the budget and scope of the film. “Without it, our productions would just be longer and more disorganized.” “Pre-production is just getting prepared,” says director Kaity Williams. ![]() Once you have enough money to get started, the next task is to get everything lined up for the shoot. You can also try raising money by exchanging brand sponsorship for product placement. You can seek out wealthy investors, ask for loans from family and friends, start a crowdfunding campaign online, or apply for a business loan. The producer’s second job is to raise the money. You can start this process while you or your screenwriters continue to write and revise the screenplay. From that estimate you can calculate the costs of equipment rental, sets, costumes, salaries for cast and crew, costs of stunts or special effects, and any other expenses. Break down the script into shooting days, conservatively estimating the number of pages you can shoot per day. You can hire a production manager to put together the budget or you can do your own research. The first job is to estimate how much money it will cost.
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